Marbles of weight loss - a positive way to record the journey

Yep, forgot the password (really did) have moved house, started back at a full time admin job, been thrown out of our house because of asbestos contamination.... you name it, its happened so far this year.

But this is a glass blog, so I wanted to get some ideas down for a start.

I need to get onto murrini making and now that I have moved my lampworking equipment over to my Mum's temporarily I am starting a new project. I know, I know, I have many MANY half done projects, but I have an idea, it will get me back in the swing of glass and murrini making and should be fun and sort of functional.

I have got to take off some weight (the story of many fellow sufferers of those of us who happen to love eating - a LOT). 
I have quite a bit of weight to lose and I am going to make myself a series of marbles with murrini representing different weights and some just with positive messages.  I am going to make enough that I will be able to document my weight loss goal with them.

I am thinking of making them with the following messages/increments:
"1kg" loss marbles - nice ones
"1/2kg" loss marbles - relatively simple but nice ones
"5kg" loss marbles (which will be larger and more complex and probably have scenes with murrini inside)
Some small plain-ish ones that say "good try" or "nearly"
A couple that say "oops"

I want to pop them in a large bowl or vase and then slowly move them over to another bowl representing what I have lost. I am thinking this will provide me with a visual measurement of what I have achieved (ie. getting to see the build up of marbles in the "lost" bowl) and give me the satisfaction of moving them around each week and take a minute or two to think about my goals and achievements.  I am probably sounding completely crazy right now, but once I start I will show how I have gone.

This weekend will hopefully see the start of my Marbles of weightloss collection :-)

 

Bad.....er..... slack blogger !

Well, finally I have got my finger out and blogged.  I have spent MONTHS saying that I need to update my blog and yet, as the uncrowned queen of procrastination, I have managed to put it off!

A LOT has been going on in my glassy life since my last blog, so I think I will blog about it in chronological order.... at least then it will make sense to me if no one else  ha ha ha

Gumblossom Dreams boro glass necklace

First off, some of my readers may recall that I was on a bit of a mission to get some of my work into some galleries.   Well, not only do I have work showing at the Barracuda Gallery over in Perth and the Canberra Glassworks gallery I was invited to participate in an "invitation only" flameworking event at the Craft NSW gallery in George Street in Sydney.  The "In Nature In Glass" exhibition was fabulous and at the same time SCARY AS HELL.  I was participating with a raft of big names in glass and felt a little like the tiny little tiddler in a pool of sharks, but I figured as long as I do my best, well that is the best I can do.    It was a really big thrill to see my work displayed beside the likes of Chris Arnold and Laurie Young, Peter Minson, Al Usher, Bernie Stonor, Jo Wu, Justin Rossi, Carol Marando and the lovely Penel Bigg!  I even braved the Sydney Train system (which is scary for a transplant from Canberra who is a little frightened of getting lost on the trains) and went into town for the opening of the exhibition by the gorgeous and talented Marina Hyasat.

Well.... you get the idea, it was crazy fancy and I am a bit of a bogan, but after leaving the crocs and moccies at home, I rubbed shoulders with the big guns and it felt really great!  Here is a pic of one of my entries, Gum Blossom Dreams.  Unfortunately it didn't survive the transport and didn't end up being displayed, but I have since fixed it and donated it as a raffle prize to a lovely Canberra Textile group (ACTTA).



Year of the Dragon bead set 2012 Sydney Royal Easter show Entry

I was also happy to participate in the Sydney Royal Easter show again and W O W was the competition hard this year.  It was so great to see the diversity of styles and the large number of entries.  for a competition that was losing some of its support by the local lampwork bead artists, it has turned right around and now a large number of people enter in support.   I was EXTREMELY lucky to get a third with my dragon set this year and to be honest, there were some sets of beads that utterly deserved a prize and yet missed out.  For local Aussies who want to see what is at the edge of the envelope in glass beads go along to the Easter show and have a squizz (might want to take a notebook to write down the names you might wish to contact afterwards too).

Well, I don't want to just write a novel on this one blog entry, so I shall continue on very soon with more glassy musings :-)

Death of a plate..... but tried again with success!

Sharks vomit plate 1 with hole

Oh yeah..... there is no question, I killed my plate using Sharks Vomit 1 when I tried to slump it into the mold.  It is mostly due to the fact that I totally forgot that I needed to slow down the ramp up heat rate and so when the plate hit about 350deg C there was a muffled clang...well to be honest multiple clangy sounds and when I peeked into the peephole, there it sat.... in MANY parts.  I was not happy, indeed I was rather upset, but as they say... you learn much more from a mistake than you do from getting it right the first time.  I decided that because it was in pieces, I might as well ramp the temp right up and see if some of it will fuse back together.  In fact it did fuse back quite a bit, but left a little hole that I have decided would be a good spot to sit a marble ( I put a circle around the hole zone on the above pic).  The glass also somewhat dripped down the sides of the plate mold and I will have to grind that off.  I am still toying with the idea that I should re-fuse and then try slumping this one again.... just toying at the moment, but if I have to look at it too long like this, it shall feel some heat I promise you!  LOL

Being a big one for getting it right at least once, I decided to spend 4 hrs of my time yesterday to make up another fusing plate using my murrini again.  This time I tried to stick with half decent murrini (ie, not too many clear inclusions etc.) although they are still my rejected ones, I made sure they were as tightly packed as I could get them.  I even pulled some little stringer sized murrini to pop down the gaps and it really paid off.  The glass did not move around very much at all and the fuse came out lovely.  I slumped it late last night and got this beauty out of the kiln this arvo and now have a cute little square plate..... I love it!!!!

Sharks vomit 2 slumped into plate -  sweet success

I have now got a kiln full of  "testers" that I will see how they look when they come out before I think of using them in a larger plate size.  The handy thing is that I will be able to glue on some bails and voila.... instant pendant.  Hopefully they won't be too ugly to be worn and if they are, well I will keep them or donate them to someone who seed beads cabs or something fun like that.

Testers to see what happens in the kiln!

Have a fabulous week, this week is getting things done week for me....... YEAH!

Eye eye! I will be keeping an eye on you!

Hahaha, yep and the bad puns can roll on...and on... and on!

 I have working slowly on my next dongle necklace and .....ta dahhhhh, its got eyeballs on it!  I know, I know, its the next level of crazy (not to mention a gazillion hours of torch time), but I think it will have a real impact when it is finished.  I am finding the odd momka cane I am using for the iris really interesting in that one will come out bright blue, then one will come out with green flecks, then one will come out with a green ring around the outside etc.  It seems really random and I am trying to see if striking the glass helps bring about this change or not.... so far I have not been successful in controlling the colour change effects, but I am happy with some random-ness in my life on occasion (it will irritate me just a little tiny bit until I work it out though).

I thought I would just have a quick posting tonight, I will have some more interesting stuff to chat about tomorrow I think!

Evolution of a glass necklace

I thought I might to steer somewhat clear of the murrini fest over the last few days and have decided (finally) that I would make a couple gallery quality pieces. I have done the boro chain and dongle style before (something I dreamt of then tried and it worked quite well) and the bottom picture is one of my early efforts using some purple handmade murrini in the marbles on the ends of each dongle. This was using some 3mm chain and I kept each dongle quite short. It is really nice to feel and is actually very comfortable to wear but I did move onto larger 5mm diameter links with large dongles which were very flamboyant indeed.

I have decided to try out a slightly new style of this necklace using finer 3mm stringer chain once again, but with much longer dongle-y bits in all different lengths and colour combo's. I also resisted the urge to use murrini in the ends and instead, I am going to use little tiny helix twists (a technique learnt from the lovely Justin at imagine creations) on each end. I have made a start yesterday (well by start I mean about 6hrs of torching to get to this point) and thought I would show off how it is going. I have only done less than half of the dongles so far, but you can see it will be busy, but hopefully interesting as well.

I wanted something that still had the movement (chain and dongles all move around loose) but looked a bit busier than the fine stuff usually did.  After I finish this one off, I am thinking I might make a big chunky one again...... WAY less hours of work to do the big stuff for sure.    I will try to remember to upload a pic of the final result.  The only issue I have now is finding exactly the right clasps for these buggers.  I have made glass ones which don't feel completely safe and did find a fabulous large ornate parrot clasp design that was perfect..... just not precious metal!  I think I might buy a few large parrot clasps in sterling silver at about $20 each, it would be a bit of a waste to spend days upons days making this style to throw some cheap-arse crappy clasp on it..... it seems there is always a challenge some days!

Original dongle chain testing with murrini